High impact violence
| Director: | Ben Wheatley |
| Actors: | Neil Maskell, Myanna Buring, Harry Simpson, Michael Smiley |
Eight months after a disastrous job in Kiev left him physically and mentally scarred ex-soldier turned contract killer Jay is pressured by his partner Gal into taking a new assignment. As they descend into the dark and disturbing world of the contract Jay begins to unravel once again - his fear and paranoia sending him deep into the heart of darkness.
| Status: | QuickPick |
|---|---|
| Run time: | 95mins |
| Origin: | UNITED KINGDOM |
| Aspect Ratio: | 16:9 |
Ben Wheatley’s Kill List should only be seen at the end of the night, but the terrifying final act would likely keep you awake anyway. Neil Maskell and Michael Smiley star as Jay and Gal, former British soldiers having a hard time adjusting to regular suburban life. Jay’s wife (MyAnna Buring) wants him to get back to work, and Gal has a lucrative offer: join him as a hit-man and help him finish off a newly-acquired kill list. There are only three targets, and the pay is good; the only catch (it seems) is they have to make the deal with a creepy dude who will only sign the contract in blood. Fair enough; you meet these kinds of people in this kind of business, they rationalise. The audience follows the hilarious, bickering couple on their quest, and we're fooled into thinking that we're wi...
Ben Wheatley’s Kill List should only be seen at the end of the night, but the terrifying final act would likely keep you awake anyway. Neil Maskell and Michael Smiley star as Jay and Gal, former British soldiers having a hard time adjusting to regular suburban life. Jay’s wife (MyAnna Buring) wants him to get back to work, and Gal has a lucrative offer: join him as a hit-man and help him finish off a newly-acquired kill list. There are only three targets, and the pay is good; the only catch (it seems) is they have to make the deal with a creepy dude who will only sign the contract in blood. Fair enough; you meet these kinds of people in this kind of business, they rationalise. The audience follows the hilarious, bickering couple on their quest, and we're fooled into thinking that we're witnessing a new darkly comic British crime classic from 'the next Guy Ritchie'. But when the boys meet target number two, who inexplicably keeps thanking Jay for coming to murder him, things start to get weird.
They diverge from the list, make some bizarre discoveries relating to their targets, and then find themselves caught in … I’m sorry, I wish I could go on, but that would really ruin the surprise. I can't even tell you which British horror classics (one from the 70s, and one from the 00s) that the truly chilling final act evokes, as even whispering their name would count as a spoiler. Wheatley deserves commendation for delivering a film that surprises at every turn. Although it’s rather hilarious at times, there is a foreboding sense of dread from the very first frame. He knows how to work an audience. The cast, who apparently improvised some of the dialogue (the script is attributed to Wheatley and Amy Jump), are also excellent, finding the precise balance of humour in each of their increasingly horrific situations. I wonder if the picture’s final scene – which features a nerve-shattering twist and leaves numerous questions in the air – works for the film, or against it? Are we given enough information to solve the mystery at the picture’s core, or, is a mystery at its best if it remains that way? I’ve been told by those who’ve seen the film a couple of times that there is enough information spilled in the opening act (which involves the dinner party from hell) to explain what exactly happens in the finale. I can’t wait to watch Kill List a second time. Even if the second viewing doesn’t explain a thing, I just want to experience the ordeal again.
4/5