Adult themes, supernatural themes
| Director: | William Friedkin |
| Actors: | Max Von Sydow, Ellen Burstyn, Lee J. Cobb, Jack MacGowran, Jason Miller, Linda Blair, Kitty Winn |
Based on the 1971 novel, which was in turn based upon a case of a real-life possession in a Washington Suburn, The Exorcist tells the story of a 12 year old daughter of a visiting actress who begins to exhibit out-of-character strange and frightening behaviour such as levitation and incredible strength. When all medical avenues have been taken the mother is sent to seek advice from a priest who is also qualified as a psychologist. He determines that the daughter is the victim of demonic possession and employs the help of a second priest to attempt to banish the evil spirit and save the young girl.
| Status: | Normal |
|---|---|
| Run time: | 127mins |
| Origin: | UNITED STATES |
| Aspect Ratio: | 1.78:1 |
| Run Time: | 127mins |
|---|---|
| File Size (Approx): | 1.1 GB |

“What an excellent day for an exorcism,” says the demon possessing twelve-year-old Regan MacNeil (Linda Blair) in 1973’s The Exorcist. Widely considered by horror enthusiasts to be a close-to-perfect film, it was the recipient of two Academy Awards (Best Sound and Best Adapted Screenplay) from eleven nominations, and has been parodied countless times. The Exorcist exists in an untouchable pop culture vacuum for many. Chris MacNeil (Ellen Burstyn), a single mother and famous actress, lives with her daughter Regan in an impressive home complete with personal assistant, maid, and butler. Based on the true story of the 1949 exorcism of Roland Doe, Reagan becomes possessed by a demon, leading to levitation, convulsions, projectile vomit, fits of violence, and that famous head-turning scene. De...
“What an excellent day for an exorcism,” says the demon possessing twelve-year-old Regan MacNeil (Linda Blair) in 1973’s The Exorcist. Widely considered by horror enthusiasts to be a close-to-perfect film, it was the recipient of two Academy Awards (Best Sound and Best Adapted Screenplay) from eleven nominations, and has been parodied countless times. The Exorcist exists in an untouchable pop culture vacuum for many.
Chris MacNeil (Ellen Burstyn), a single mother and famous actress, lives with her daughter Regan in an impressive home complete with personal assistant, maid, and butler. Based on the true story of the 1949 exorcism of Roland Doe, Reagan becomes possessed by a demon, leading to levitation, convulsions, projectile vomit, fits of violence, and that famous head-turning scene. Desperate to save her girl, Chris calls in two priests, Father Merrin (Max von Sydow) and Father Damien (Jason Miller), to expel the unwanted house-guest.
Directed by William Friedkin (The French Connection) and with a screenplay by William Peter Blatty (based on his own novel), the horror on show in The Exorcist perhaps hasn’t aged as well as the drama. The special effects are decidedly underwhelming by today’s standards and elicit laughs where shocks would have originally been felt. What does stand the test of time is the impeccable filmmaking at the hand of skilled director Friedkin and the cinematography by Owen Roizman (Network), which, combined, give us the iconic image of Father Merrin approaching the MacNeil residence shrouded in fog, among others.
Mike Oldfield’s haunting theme song Tubular Bells is instantly recognisable and inseparable from the picture while adding a much-needed creepy element. Despite being widely considered the “Scariest Movie of All-Time,” The Exorcist works much better as a measured character study and drama than it does as a thrills-and-chills horror.
Father Damien spends more time exercising than he does exorcising, and it is his emotional guilt and turmoil that captures your attention and imagination more than the lesioned child of Satan who is spewing pea soup and profanities. Come for the possession stay for the powerful storytelling.
3.5/5