Medium level violence
| Director: | Stanley Kubrick |
| Actors: | Malcolm McDowell, Patrick Magee, Miriam Karlin, Adrienne Corri |
Stamping, whomping, stealing, singing, tap-dancing, violating. Derby-topped teddy-boy hooligan Alex (MALCOLM MACDOWELL) has his own way of having a good time. He has it at the tragic expense of others. Alex's journey from amoral punk to brainwashed proper citizen forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Unforgettable images, startling musical counterparts, the fascinating language used by Alex and his pals - Kubrick shapes them into a shattering whole. Hugely controversial when first released, A Clockwork Orange won the New York Film Critics Best Picture and Director honors and earned four Academy Award nominations, including Best Picture.
| Status: | QuickPick |
|---|---|
| Run time: | 131mins |
| Origin: | UNITED KINGDOM |
| Aspect Ratio: | 1.66 |
| Run Time: | 131mins |
|---|---|
| File Size (Approx): | 1.2 GB |

“You’ll never be able to watch Singin’ in the Rain the same way again.” This is often the warning that accompanies the 1971 adaptation of Anthony Burgess’ A Clockwork Orange, which Stanley Kubrick wrote, directed and produced. Alex (Malcolm McDowell) narrates and leads this ultra-violent story, as he and his gang of “droogs” - Pete, Georgie and Dim - embark on a crime spree including theft, rape, and eventual murder. Alex is incarcerated but is chosen for a controversial rehabilitation experiment that utilises psychological conditioning to “cure” criminals, which may prove to be Alex’s saving grace. What initially impresses is the unusual manner in which Alex narrates; called Nadsat, it is a combination of Slavic and cockney English rhyming slang. While one does become accustomed to it, ...
“You’ll never be able to watch Singin’ in the Rain the same way again.” This is often the warning that accompanies the 1971 adaptation of Anthony Burgess’ A Clockwork Orange, which Stanley Kubrick wrote, directed and produced.
Alex (Malcolm McDowell) narrates and leads this ultra-violent story, as he and his gang of “droogs” - Pete, Georgie and Dim - embark on a crime spree including theft, rape, and eventual murder. Alex is incarcerated but is chosen for a controversial rehabilitation experiment that utilises psychological conditioning to “cure” criminals, which may prove to be Alex’s saving grace.
What initially impresses is the unusual manner in which Alex narrates; called Nadsat, it is a combination of Slavic and cockney English rhyming slang. While one does become accustomed to it, it is, at first, jarring for those unfamiliar. Thankfully, if one can make it past the Nadsat (and past the violent scenes), they may find themselves rewarded by a stylish and surprisingly modern film.
Set in a futuristic England, the movie impresses on several levels but perhaps more so for the set design and costumes, as well as the soundtrack, which resonates and chills. While the combination of these elements screams Kubrick, they also don’t date the picture, instead providing a glimpse of an out of control society that could exist today.
A Clockwork Orange is a film that demands repeat viewings to comprehend the many subtleties that could go unnoticed amongst the dry wit and lush language. Ultimately what makes this one to seek out is McDowell’s performance, which sways between psychotic and sympathetic; it is a testament to his portrayal of Alex that made me keep watching beyond the debauchery on display in the opening act.
While considered a classic amongst Kubrick devotees, and earning itself an impressive four Academy Award nominations – for Best Picture, Best Director, Best Film Editing and Best Adapted Screenplay – many will find the film disorientating and challenging. For style alone, A Clockwork Orange is unquestionably a British classic that further rewards the more you open your mind. A word of warning however; this is not for the fainthearted.
3.5/5