Strong themes and coarse language
| Director: | Nicholas Jarecki |
| Actors: | Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta, Nate Parker, Chris Eigeman, Bruce Altman |
Robert Miller (Richard Gere) is the portrait of success in American business and family life. But behind the gilded walls of his mansion, Miller is in over his head, desperately trying to complete the sale of his trading empire to a major bank before the depths of his fraud are revealed. Struggling to conceal his duplicity from loyal wife Ellen and brilliant daughter and heir-apparent Brooke, Miller's also balancing an affair with French art-dealer Julie Côte. Just as he's about to unload his troubled empire, an unexpected bloody error forces him to juggle family, business, and crime with the aid of Jimmy Grant, a face from Miller's past. One wrong turn ignites the suspicions of NYPD Detective Michael Bryer, who will stop at nothing in his pursuits.
| Status: | HighDemand |
|---|---|
| Run time: | 107mins |
| Origin: | UNITED STATES |
| Aspect Ratio: | 16:9 |

For some time it has felt like Richard Gere has been working on auto-pilot; not making a huge amount of De Niro-style duds, but never stepping up to the challenging roles we know he can do. It's pleasing to see him hit a sensational stride in Arbitrage, his best performance in well over a decade. Gere plays billionaire Robert Miller, a shifty silver fox who is trying to sell off his giant company before investors discover he has cooked the books. On the side he's balancing family life and an affair with feisty mistress Julie (Laetitia Casta). Things get even more stressful for Miller after he flees a car accident, adding a possible murder charge to his already chaotic world. Debut director Nicholas Jarecki confidently stages this tense scenario with a Hitchcockian flair. As we follow the ...
For some time it has felt like Richard Gere has been working on auto-pilot; not making a huge amount of De Niro-style duds, but never stepping up to the challenging roles we know he can do. It's pleasing to see him hit a sensational stride in Arbitrage, his best performance in well over a decade. Gere plays billionaire Robert Miller, a shifty silver fox who is trying to sell off his giant company before investors discover he has cooked the books. On the side he's balancing family life and an affair with feisty mistress Julie (Laetitia Casta). Things get even more stressful for Miller after he flees a car accident, adding a possible murder charge to his already chaotic world.
Debut director Nicholas Jarecki confidently stages this tense scenario with a Hitchcockian flair. As we follow the increasingly frantic Gere down his nightmarish rabbit hole, the picture takes a satisfyingly cold, amoral stance – less critique and more cynical observation – linking the duplicity of big economics with a deep sense of moral corruption in the individual. Gere's wonderful turn is packed with squirrelly charm and creates an odd sense of sympathy for this essentially unforgivable character. He is irredeemable, but Gere sucks the viewer in, making us all complicit in his futile scheme.
Anchored by strong supporting work from Susan Sarandon as Gere's beleaguered wife (and, to a lesser extent, Brit Marling as his suspicious daughter), Arbitrage has a cold, sexy sheen that works for and against it. As circumstances reach a boiling point in the final act, Jarecki's presentation is a little distant and restrained, never engaging as wholly with the intensity the story seems to demand. Tim Roth's detective character is also constantly jarring, popping in and out of the narrative like the ghost of Columbo, looking like he wandered off the set of a completely different movie.
This is an impressive first film. However, despite a great score by Cliff Martinez, the whole project doesn't reach the heights one feels it could. Arbitrage is still an engagingly superficial thriller that promises great things to come from Jarecki.
3/5