Adult themes
| Director: | Woody Allen |
| Actors: | Diane Keaton, Woody Allen, Carol Kane, Shelley Duvall, Paul Simon, Tony Roberts, Colleen Dewhurst, Janet Margolin, Christopher Walken |
Considered to be "Woody Allen's breakthrough movie" (Time Magazine), Annie Hall won four Oscars, including Best Picture, and established Allen as the premier auteur filmmaker. Thought by many critics to be Allen's magnum opus, Annie Hall confirmed that he had, "completed the journey from comic to humourist, from comedy writer to wit [and] from inventive moviemaker to creative artist" (Saturday Review). Alvy Singer (Allen), is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. Introduced by his best friend, Rob (Tony Roberts), to the ditzy but delightful nightclub singer, Annie Hall (Diane Keaton). No sooner is Alvy in love, when his own insecurities sabotage the affair, forcing Annie to leave Alvy for a new life - and lover (Paul Simon) - in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengths - even driving L.A.'s freeways - to recapture the only thing that ever mattered ... true love.
| Status: | HighDemand |
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| Run time: | 93mins |
| Origin: | UNITED STATES |
| Aspect Ratio: | 1.85:1 16:9 Enhanced |
| Run Time: | 93mins |
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| File Size (Approx): | 0.8 GB |

Annie Hall has been the gateway drug for many into the diverse career of director Woody Allen. The 1977 film is at once a standalone romantic comedy gem, and, together with Manhattan and the more recent Midnight in Paris, considered a long-standing fan favourite ranked as the best from the auteur’s filmography. The movie, co-written by Woody Allen and Marshall Brickman, follows the relationship between a Jewish comedy writer, Alvy Singer (Allen), and chanteuse Annie Hall (Diane Keaton), who couldn’t be more unsuited for one another. Their neuroses fuel their fluctuating courtship as they butt heads over everything from therapy to cooking lobsters. Their story is as much about the struggles of finding a suitable mate and trying to make it work as it is about discovering that one must be h...
Annie Hall has been the gateway drug for many into the diverse career of director Woody Allen. The 1977 film is at once a standalone romantic comedy gem, and, together with Manhattan and the more recent Midnight in Paris, considered a long-standing fan favourite ranked as the best from the auteur’s filmography.
The movie, co-written by Woody Allen and Marshall Brickman, follows the relationship between a Jewish comedy writer, Alvy Singer (Allen), and chanteuse Annie Hall (Diane Keaton), who couldn’t be more unsuited for one another. Their neuroses fuel their fluctuating courtship as they butt heads over everything from therapy to cooking lobsters.
Their story is as much about the struggles of finding a suitable mate and trying to make it work as it is about discovering that one must be happy with themself first in order for said relationship to actually work. Both Alvy and Annie aren’t content with who they are or where they are in life and so looking to one another for happiness is a frustrating and heartbreaking, yet also humorous, experience. As Alvy says, quoting Groucho Marx, “'I would never want to belong to any club that would have someone like me for a member.' That’s the key joke of my adult life, in terms of my relationships with women.”
The feature would give Allen his first taste of Oscar, with Annie Hall winning four Academy Awards from five nominations. Keaton won her first, and so far only, Best Actress in a Leading Role Oscar, and Allen, although nominated for Best Actor in a Leading Role, took home Best Director, Best Screenplay, and overall, Best Picture.
Annie Hall delivers some of Allen’s best dialogue while foraying into new territory by breaking the fourth wall, with Allen turning towards the camera and addressing the audience directly, as well as the inclusion of bits like Alvy materialising Marshall McLuhan in a cinema queue to disprove a pretentious cinemagoer's ravings. Annie Hall has conventional romantic elements enveloped in Allen’s unique perspective on life and was, according to Allen, a major turning point in his career.
4/5